Essay: “Annihilation,” Part Two: "Just as Kafka seems within reach of his goal...disintegration takes place."

The following is the second and concluding part of Eric Basso’s essay “Annihilation,” as published in his collection of critical writings, Decompositions. The first part can be found here. Click here for a complete selection of Eric Basso’s books. — The Editors *** There can no longer be any question that, with Proust and Joyce, Franz Kafka endures […]

Caught In A Moment: The Poetry of Eric Basso: "Basso’s poetry lies at the heart of his weird fictions."

Click here for a complete selection of Eric Basso’s books. For the past several weeks, I have struggled to write about Eric Basso’s poetry.  At first, I thought it would be a simple affair, comparing the imagery found within his six collections to his prose and drama output, noting how he carefully constructs elaborate narratives with just a few well-chosen […]

Drowning in Time: The Work of Eric Basso: "His work...shows a concern with the dizzying depths of history."

Click here for a complete selection of Eric Basso’s books. “History is a nightmare from which I am trying to awake.” — James Joyce, Ulysses Stephen Daedalus’s statement, a quintessentially modern lament, could serve as a fitting epigraph for a number of Eric Basso’s pieces. His work, whether in dramatic (The Golem Triptych), novelistic (Bartholomew Fair), analytic (Decompositions) or short (The Beak Doctor) […]

An Interview with Eric Basso: “Nothing Is Too Weird”

Eric Basso (1947 — ) is an American poet, novelist, playwright, and critic, born in Baltimore, Maryland. His novella “The Beak Doctor” has had a cult following among avant-garde gothic writers since it was first published by the Chicago Review in 1977. Since then he has published a novel, several plays, many poetry collections, and a book of nonfiction. In […]