Inhuman Geometries: Saul Bass’s “Phase IV”
So much of what is weird or uncanny hinges on a particular facet of narrative craft and personal experience: perspective. The weirdness of Algernon Blackwood’s “The Willows” comes from the eerie sentience of the landscape surrounding the explorers – or the imagination of the explorers working them over in the absence of discernable human presence. The […]