Many Ways In, No Way Out: Rodney Ascher’s “Room 237” and the Overlook’s Empty Center
Rodney Ascher’s 2012 documentary, Room 237, is, on the surface, an examination of some of the more outré readings of Stanley Kubrick’s The Shining. The theorists involved are not only permitted ample time in which to present their readings, the documentary also seems to help them by way of animations, maps, and lengthy, even slowed-motion, […]