The Weird: Approaches and Foci

All editors have key concepts or ideas about the approach to creating an anthology. Here are a few of the ideas and foci that occurred to us during the preliminary steps of creating The Weird anthology and during the process of research and selection. — Ann & Jeff Edited in the context of: Avoid the Great Certainty (certainty and making […]

Frédérik Peeters’ Pachyderm: A Lynchian Switzerland

I seem to be working recently on a number of comics that won awards in France (which often, despite purportedly heightened visibility, signifies squat abroad). What can it mean? A syncing up of American and continental tastes when it comes to comics? A realization of the European riches out there and still to be brought over? Expect more […]

Razors to the Heart: William Shakespeare and Horror Fiction

(A shot from Julie Taymor’s Titus Adronicus) Over the course of his career, William Shakespeare made many a foray into the darker regions of drama. Beginning with Titus Andronicus, the playwright experimented with different ways in which he could show humanity at its worst. These visions depended on depictions of cruelty, agony and alterity. As his […]

Livia Llewellyn’s Favorite Monster

As part of our Favorite Monsters feature that we ran for our “12 Days of Monsters,” we polled various writers to see who their favorite monsters were and why. One of those writers is Livia Llewellyn. She has had her stories published in Subterranean, Sybil’s Garage, Apex Magazine, The Magazine of Bizarro Fiction, Postscripts, and […]

Favorite Monsters: A Cornucopia of Writer Responses

Earlier in the month, just before the 12 Days of Monsters started proper here at Weirdfictionreview.com, we contacted various writers to ask them something: who, or what, was their favorite monster, and why? The writers we contacted are themselves well acquainted with all sorts of things that go bump in the night, prominently featuring monsters […]

Long Live the Underwolf: On Discovering Tristan Egolf’s Kornwolf

I grew up amidst the fields and forests of central Pennsylvania. I grew up obsessed with werewolves. It may not come as a shock, then, that I took an interest in a werewolf novel set in the acne-riddled T‑zone of the state’s face known as Pennsyltucky. That I just described Tristan Egolf’s Kornwolf as a “werewolf novel” is telling as […]