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	<title>E.F. Benson | Authors | Weird Fiction Review</title>
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	<description>Your Non-Denominational Source for The Weird</description>
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		<title>Caterpillars</title>
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		<dc:creator><![CDATA[E.F. Benson]]></dc:creator>
		<pubDate>Tue, 11 Jun 2013 14:38:00 +0000</pubDate>
				<category><![CDATA[Fiction]]></category>
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					<description><![CDATA[<p>Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist and short story writer, known professionally as E.F. Benson. A&#160;prolific writer, Benson created the famous Mapp and Lucia series, which satirized upper-middle class British life in the 1920s and 30s. He also developed a&#160;reputation for writing macabre ghost stories and other [&#8230;]</p>
<p>The post <a href="../../../2013/06/caterpillars/">Caterpillars</a> appeared first on <a href="../../../">Weird Fiction Review</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong><a href="../../../wp-content/uploads/2013/06/E.F.-Benson.jpg"><img fetchpriority="high" decoding="async" class="size-medium wp-image-6374 alignleft" alt="E.F. Benson" src="../../../wp-content/uploads/2013/06/E.F.-Benson-207x300.jpg" width="207" height="300" srcset="../../../wp-content/uploads/2013/06/E.F.-Benson-207x300.jpg 207w, ../../../wp-content/uploads/2013/06/E.F.-Benson.jpg 467w" sizes="(max-width: 207px) 100vw, 207px"></a>Edward Frederic Benson</strong> (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist and short story writer, known professionally as E.F. Benson. A&nbsp;prolific writer, Benson created the famous Mapp and Lucia series, which satirized upper-middle class British life in the 1920s and 30s. He also developed a&nbsp;reputation for writing macabre ghost stories and other stories of the supernatural, which have been adapted for film and television. One of his short stories, “The Bus-Conductor,” served as inspiration for two different high profile adaptations, as part of the classic anthology film <em>Dead of Night</em> and as an episode of&nbsp;<em>The Twilight Zone</em> (“Twenty Two”). The following story, “Caterpillars,” is one of Benson’s most widely anthologized stories, most recently collected in&nbsp;<em>The Century’s Best Horror Fiction 1901–1950</em> (Cemetery Dance), edited by John Pelan. <strong>– The Editors</strong></p>
<p style="text-align: center;">***</p>
<p>I saw a month or two ago in an Italian paper that the Villa Cascana, in which I once stayed, had been pulled down, and that a manufactory of some sort was in process of erection on its site.</p>
<p>There is therefore no longer any reason for refraining from writing of those things which I myself saw (or imagined I saw) in a certain room and on a certain landing of the villa in question, nor from mentioning the circumstances which followed, which may or may not (according to the opinion of the reader) throw some light on or be somehow connected with this experience.</p>
<p>The Villa Cascana was in all ways but one a perfectly delightful house, yet, if it were standing now, nothing in the world–I use the phrase in its literal sense–would induce me to set foot in it again, for I believe it to have been haunted in a very terrible and practical manner.</p>
<p>Most ghosts, when all is said and done, do not do much harm; they may perhaps terrify, but the person whom they visit usually gets over their visitation. They may on the other hand be entirely friendly and beneficent. But the appearances in the Villa Cascana were not beneficent, and had they made their “visit” in a very slightly different manner, I do not suppose I should have got over it any more than Arthur Inglis did.</p>
<p>The house stood on an ilex-clad hill not far from Sestri di Levante on the Italian Riviera, looking out over the iridescent blues of that enchanted sea, while behind it rose the pale green chestnut woods that climb up the hillsides till they give place to the pines that, black in contrast with them, crown the slopes. All round it the garden in the luxuriance of mid-spring bloomed and was fragrant, and the scent of magnolia and rose, borne on the salt freshness of the winds from the sea, flowed like a stream through the cool vaulted rooms.</p>
<p>On the ground floor a broad pillared loggia ran round three sides of the house, the top of which formed a balcony for certain rooms of the first floor. The main staircase, broad and of grey marble steps, led up from the hall to the landing outside these rooms, which were three in number, namely, two big sitting-rooms and a bedroom arranged en suite. The latter was unoccupied, the sitting-rooms were in use. From these the main staircase was continued to the second floor, where were situated certain bedrooms, one of which I occupied, while from the other side of the first-floor landing some half-dozen steps led to another suite of rooms, where, at the time I am speaking of, Arthur Inglis, the artist, had his bedroom and studio. Thus the landing outside my bedroom at the top of the house commanded both the landing of the first floor and also the steps that led to Inglis’ rooms. Jim Stanley and his wife, finally (whose guest I was), occupied rooms in another wing of the house, where also were the servants’ quarters.</p>
<p>I arrived just in time for lunch on a brilliant noon of mid-May. The garden was shouting with colour and fragrance, and not less delightful after my broiling walk up from the marina, should have been the coming from the reverberating heat and blaze of the day into the marble coolness of the villa. Only (the reader has my bare word for this, and nothing more), the moment I set foot in the house I felt that something was wrong. This feeling, I may say, was quite vague, though very strong, and I remember that when I saw letters waiting for me on the table in the hall I felt certain that the explanation was here: I was convinced that there was bad news of some sort for me. Yet when I opened them I found no such explanation of my premonition: my correspondents all reeked of prosperity. Yet this clear miscarriage of a presentiment did not dissipate my uneasiness. In that cool fragrant house there was something wrong.</p>
<p>I am at pains to mention this because to the general view it may explain that though I am as a rule so excellent a sleeper that the extinction of my light on getting into bed is apparently contemporaneous with being called on the following morning, I slept very badly on my first night in the Villa Cascana. It may also explain the fact that when I did sleep (if it was indeed in sleep that I saw what I thought I saw) I dreamed in a very vivid and original manner, original, that is to say, in the sense that something that, as far as I knew, had never previously entered into my consciousness, usurped it then. But since, in addition to this evil premonition, certain words and events occurring during the rest of the day might have suggested something of what I thought happened that night, it will be well to relate them.</p>
<p>After lunch, then, I went round the house with Mrs. Stanley, and during our tour she referred, it is true, to the unoccupied bedroom on the first floor, which opened out of the room where we had lunched.</p>
<p>“We left that unoccupied,” she said, “because Jim and I have a charming bedroom and dressing-room, as you saw, in the wing, and if we used it ourselves we should have to turn the dining-room into a dressing-room and have our meals downstairs. As it is, however, we have our little flat there, Arthur Inglis has his little flat in the other passage; and I remembered (aren’t I extraordinary?) that you once said that the higher up you were in a house the better you were pleased. So I put you at the top of the house, instead of giving you that room.”</p>
<p>It is true, that a doubt, vague as my uneasy premonition, crossed my mind at this. I did not see why Mrs. Stanley should have explained all this, if there had not been more to explain. I allow, therefore, that the thought that there was something to explain about the unoccupied bedroom was momentarily present to my mind.</p>
<p>The second thing that may have borne on my dream was this.</p>
<p>At dinner the conversation turned for a moment on ghosts. Inglis, with the certainty of conviction, expressed his belief that anybody who could possibly believe in the existence of supernatural phenomena was unworthy of the name of an ass. The subject instantly dropped. As far as I can recollect, nothing else occurred or was said that could bear on what follows.</p>
<p>We all went to bed rather early, and personally I yawned my way upstairs, feeling hideously sleepy. My room was rather hot, and I threw all the windows wide, and from without poured in the white light of the moon, and the love-song of many nightingales. I undressed quickly, and got into bed, but though I had felt so sleepy before, I now felt extremely wide-awake. But I was quite content to be awake: I did not toss or turn, I felt perfectly happy listening to the song and seeing the light. Then, it is possible, I may have gone to sleep, and what follows may have been a dream. I thought, anyhow, that after a time the nightingales ceased singing and the moon sank. I thought also that if, for some unexplained reason, I was going to lie awake all night, I might as well read, and I remembered that I had left a book in which I was interested in the dining-room on the first floor. So I got out of bed, lit a candle, and went downstairs. I went into the room, saw on a side-table the book I had come to look for, and then, simultaneously, saw that the door into the unoccupied bedroom was open. A curious grey light, not of dawn nor of moonshine, came out of it, and I looked in. The bed stood just opposite the door, a big four-poster, hung with tapestry at the head. Then I saw that the greyish light of the bedroom came from the bed, or rather from what was on the bed. For it was covered with great caterpillars, a foot or more in length, which crawled over it. They were faintly luminous, and it was the light from them that showed me the room. Instead of the sucker-feet of ordinary caterpillars they had rows of pincers like crabs, and they moved by grasping what they lay on with their pincers, and then sliding their bodies forward. In colour these dreadful insects were yellowish-grey, and they were covered with irregular lumps and swellings. There must have been hundreds of them, for they formed a sort of writhing, crawling pyramid on the bed. Occasionally one fell off on to the floor, with a soft fleshy thud, and though the floor was of hard concrete, it yielded to the pincerfeet as if it had been putty, and, crawling back, the caterpillar would mount on to the bed again, to rejoin its fearful companions. They appeared to have no faces, so to speak, but at one end of them there was a mouth that opened sideways in respiration.</p>
<p>Then, as I looked, it seemed to me as if they all suddenly became conscious of my presence.</p>
<p>All the mouths, at any rate, were turned in my direction, and next moment they began dropping off the bed with those soft fleshy thuds on to the floor, and wriggling towards me. For one second a paralysis as of a dream was on me, but the next I was running upstairs again to my room, and I remember feeling the cold of the marble steps on my bare feet. I rushed into my bedroom, and slammed the door behind me, and then–I was certainly wide-awake now–I found myself standing by my bed with the sweat of terror pouring from me. The noise of the banged door still rang in my ears. But, as would have been more usual, if this had been mere nightmare, the terror that had been mine when I saw those foul beasts crawling about the bed or dropping softly on to the floor did not cease then. Awake, now, if dreaming before, I did not at all recover from the horror of dream: it did not seem to me that I had dreamed. And until dawn, I sat or stood, not daring to lie down, thinking that every rustle or movement that I heard was the approach of the caterpillars. To them and the claws that bit into the cement the wood of the door was child’s play: steel would not keep them out.</p>
<p>But with the sweet and noble return of day the horror vanished: the whisper of wind became benignant again: the nameless fear, whatever it was, was smoothed out and terrified me no longer. Dawn broke, hueless at first; then it grew dove-coloured, then the flaming pageant of light spread over the sky.</p>
<p>The admirable rule of the house was that everybody had breakfast where and when he pleased, and in consequence it was not till lunch-time that I met any of the other members of our party, since I had breakfast on my balcony, and wrote letters and other things till lunch. In fact, I got down to that meal rather late, after the other three had begun. Between my knife and fork there was a small pill-box of cardboard, and as I sat down Inglis spoke.</p>
<p>“Do look at that,” he said, “since you are interested in natural history. I found it crawling on my counterpane last night, and I don’t know what it is.”</p>
<p>I think that before I opened the pill-box I expected something of the sort which I found in it.</p>
<p>Inside it, anyhow, was a small caterpillar, greyish-yellow in colour, with curious bumps and excrescences on its rings. It was extremely active, and hurried round the box, this way and that.</p>
<p>Its feet were unlike the feet of any caterpillar I ever saw: they were like the pincers of a crab. I looked, and shut the lid down again.</p>
<p>“No, I don’t know it,” I said, “but it looks rather unwholesome. What are you going to do with it?”</p>
<p>“Oh, I shall keep it,” said Inglis. “It has begun to spin: I want to see what sort of a moth it turns into.”</p>
<p>I opened the box again, and saw that these hurrying movements were indeed the beginning of the spinning of the web of its cocoon. Then Inglis spoke again.</p>
<p>“It has got funny feet, too,” he said. “They are like crabs’ pincers. What’s the Latin for crab?”</p>
<p>“Oh, yes, Cancer. So in case it is unique, let’s christen it: ‘Cancer Inglisensis.’&nbsp;” Then something happened in my brain, some momentary piecing together of all that I had seen or dreamed. Something in his words seemed to me to throw light on it all, and my own intense horror at the experience of the night before linked itself on to what he had just said. In effect, I took the box and threw it, caterpillar and all, out of the window. There was a gravel path just outside, and beyond it, a fountain playing into a basin. The box fell on to the middle of this.</p>
<p>Inglis laughed.</p>
<p>“So the students of the occult don’t like solid facts,” he said. “My poor caterpillar!”</p>
<p>The talk went off again at once on to other subjects, and I have only given in detail, as they happened, these trivialities in order to be sure myself that I have recorded everything that could have borne on occult subjects or on the subject of caterpillars. But at the moment when I threw the pill-box into the fountain, I lost my head: my only excuse is that, as is probably plain, the tenant of it was, in miniature, exactly what I had seen crowded on to the bed in the unoccupied room. And though this translation of those phantoms into flesh and blood–or whatever it is that caterpillars are made of–ought perhaps to have relieved the horror of the night, as a matter of fact it did nothing of the kind. It only made the crawling pyramid that covered the bed in the unoccupied room more hideously real.</p>
<p>After lunch we spent a lazy hour or two strolling about the garden or sitting in the loggia, and it must have been about four o’clock when Stanley and I started off to bathe, down the path that led by the fountain into which I had thrown the pill-box. The water was shallow and clear, and at the bottom of it I saw its white remains. The water had disintegrated the cardboard, and it had become no more than a few strips and shreds of sodden paper. The centre of the fountain was a marble Italian Cupid which squirted the water out of a wine-skin held under its arm. And crawling up its leg was the caterpillar. Strange and scarcely credible as it seemed, it must have survived the falling-to-bits of its prison, and made its way to shore, and there it was, out of arm’s reach, weaving and waving this way and that as it evolved its cocoon.</p>
<p>Then, as I looked at it, it seemed to me again that, like the caterpillar I had seen last night, it saw me, and breaking out of the threads that surrounded it, it crawled down the marble leg of the Cupid and began swimming like a snake across the water of the fountain towards me. It came with extraordinary speed (the fact of a caterpillar being able to swim was new to me), and in another moment was crawling up the marble lip of the basin. Just then Inglis joined us.</p>
<p>“Why, if it isn’t old ‘Cancer Inglisensis’ again,” he said, catching sight of the beast. “What a tearing hurry it is in!”</p>
<p>We were standing side by side on the path, and when the caterpillar had advanced to within about a yard of us, it stopped, and began waving again as if in doubt as to the direction in which it should go. Then it appeared to make up its mind, and crawled on to Inglis’ shoe.</p>
<p>“It likes me best,” he said, “but I don’t really know that I like it. And as it won’t drown I think perhaps–”</p>
<p>He shook it off his shoe on to the gravel path and trod on it.</p>
<p>All afternoon the air got heavier and heavier with the Sirocco that was without doubt coming up from the south, and that night again I went up to bed feeling very sleepy; but below my drowsiness, so to speak, there was the consciousness, stronger than before, that there was something wrong in the house, that something dangerous was close at hand. But I fell asleep at once, and–how long after I do not know–either woke or dreamed I awoke, feeling that I must get up at once, or I should be too late. Then (dreaming or awake) I lay and fought this fear, telling myself that I was but the prey of my own nerves disordered by Sirocco or what not, and at the same time quite clearly knowing in another part of my mind, so to speak, that every moment’s delay added to the danger. At last this second feeling became irresistible, and I put on coat and trousers and went out of my room on to the landing. And then I saw that I had already delayed too long, and that I was now too late.</p>
<p>The whole of the landing of the first floor below was invisible under the swarm of caterpillars that crawled there. The folding doors into the sitting-room from which opened the bedroom where I had seen them last night were shut, but they were squeezing through the cracks of it and dropping one by one through the keyhole, elongating themselves into mere string as they passed, and growing fat and lumpy again on emerging. Some, as if exploring, were nosing about the steps into the passage at the end of which were Inglis’ rooms, others were crawling on the lowest steps of the staircase that led up to where I stood. The landing, however, was completely covered with them: I was cut off. And of the frozen horror that seized me when I saw that I can give no idea in words.</p>
<p>Then at last a general movement began to take place, and they grew thicker on the steps that led to Inglis’ room. Gradually, like some hideous tide of flesh, they advanced along the passage, and I saw the foremost, visible by the pale grey luminousness that came from them, reach his door. Again and again I tried to shout and warn him, in terror all the time that they would turn at the sound of my voice and mount my stair instead, but for all my efforts I felt that no sound came from my throat. They crawled along the hinge-crack of his door, passing through as they had done before, and still I stood there, making impotent efforts to shout to him, to bid him escape while there was time.</p>
<p>At last the passage was completely empty: they had all gone, and at that moment I was conscious for the first time of the cold of the marble landing on which I stood barefooted. The dawn was just beginning to break in the Eastern sky.</p>
<p>Six months after I met Mrs. Stanley in a country house in England. We talked on many subjects and at last she said:</p>
<p>“I don’t think I have seen you since I got that dreadful news about Arthur Inglis a month ago.”</p>
<p>“I haven’t heard,” said I.</p>
<p>“No? He has got cancer. They don’t even advise an operation, for there is no hope of a cure: he is riddled with it, the doctors say.”</p>
<p>Now during all these six months I do not think a day had passed on which I had not had in my mind the dreams (or whatever you like to call them) which I had seen in the Villa Cascana.</p>
<p>“It is awful, is it not?” she continued, “and I feel I can’t help feeling, that he may have–”</p>
<p>“Caught it at the villa?” I asked.</p>
<p>She looked at me in blank surprise.</p>
<p>“Why did you say that?” she asked. “How did you know?”</p>
<p>Then she told me. In the unoccupied bedroom a year before there had been a fatal case of cancer. She had, of course, taken the best advice and had been told that the utmost dictates of prudence would be obeyed so long as she did not put anybody to sleep in the room, which had also been thoroughly disinfected and newly white-washed and painted. But–</p>
<p>The post <a href="../../../2013/06/caterpillars/">Caterpillars</a> appeared first on <a href="../../../">Weird Fiction Review</a>.</p>
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		<title>The Thing In: The Weeds, The Hall, The Cellar, The Jar</title>
		<link>../../../2012/03/the-thing-in-the-weeds-the-hall-the-cellar-the-jar/</link>
					<comments>../../../2012/03/the-thing-in-the-weeds-the-hall-the-cellar-the-jar/#comments</comments>
		
		<dc:creator><![CDATA[Michael Cisco, E.F. Benson, William Hope Hodgson and David H. Keller]]></dc:creator>
		<pubDate>Mon, 26 Mar 2012 06:45:57 +0000</pubDate>
				<category><![CDATA[12 Days of Monsters]]></category>
		<category><![CDATA[Fiction]]></category>
		<guid isPermaLink="false">../../../</guid>

					<description><![CDATA[<p>Dear Monstrous Reader: For our last day of 12 Days of Monsters, we have consolidated all of our Things in one place, for a veritable explosion of…things. Three classics and a modern eccentricity we find classic… “The Thing in the Hall” by E.F. Benson “The Thing in the Weeds” by William Hope Hodgson “The Thing [&#8230;]</p>
<p>The post <a href="../../../2012/03/the-thing-in-the-weeds-the-hall-the-cellar-the-jar/">The Thing In: The Weeds, The Hall, The Cellar, The Jar</a> appeared first on <a href="../../../">Weird Fiction Review</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="../../../wp-content/uploads/2012/03/monster-image.jpg"><img decoding="async" class="alignnone size-medium wp-image-2689" title="monster image" src="../../../wp-content/uploads/2012/03/monster-image-300x204.jpg" alt width="300" height="204" srcset="../../../wp-content/uploads/2012/03/monster-image-300x204.jpg 300w, ../../../wp-content/uploads/2012/03/monster-image.jpg 525w" sizes="(max-width: 300px) 100vw, 300px"></a></p>
<p>Dear Monstrous Reader:</p>
<p>For our last day of 12 Days of Monsters, we have consolidated all of our Things in one place, for a veritable explosion of…things. Three classics and a modern eccentricity we find classic…</p>
<p style="padding-left: 30px;"><a href="../../../2012/03/the-thing-in-the-hall-by-e-f-benson/">“The Thing in the Hall” by E.F. Benson<br>
</a><br>
<a href="../../../2012/03/the-thing-in-the-weeds-by-william-hope-hodgson/">“The Thing in the Weeds” by William Hope Hodgson</a></p>
<p style="padding-left: 30px;"><a href="../../../2012/03/the-thing-in-the-cellar-by-david-h-keller/">“The Thing in the Cellar” by David H. Keller<br>
</a><br>
<a href="../../../2012/03/ the-thing-in-the-jar-by-michael-cisco">“The Thing in the Jar” by Michael Cisco</a></p>
<p>&nbsp;<br>
If you’ve missed any of our other fiction offerings during 12 Days of Monsters, here are the links:</p>
<p style="padding-left: 30px;"><a href="../../../2012/03/replacements-by-lisa-tuttle/">“Replacements” by Lisa Tuttle</a></p>
<p><a href="../../../2012/03/weiroot-by-jeffrey-ford/">“Weiroot” by Jeffrey Ford</a></p>
<p style="padding-left: 30px;"><a href="../../../2012/03/creature-by-ramsey-shehadeh/">“Creature” by Ramsey Shehadeh<br>
</a><br>
<a href="../../../2012/03/pretty-monsters-by-kelly-link/">“Pretty Monsters” by Kelly Link </a>(only the week of March 19)</p>
<p style="padding-left: 30px;"><a href="../../../2012/03/the-dire-wolf/">“The Dire Wolf” by Genevieve Valentine</a></p>
<p style="padding-left: 30px;"><a href="../../../2012/03/blood-makes-noise/">“Blood Makes Noise” by Gemma Files<br>
</a><br>
<a href="../../../2012/03/the-dust-enforcer/">“The Dust Enforcer” by Reza Negarestani<br>
</a></p>
<p>&nbsp;Sincerely,</p>
<p><em>Thing 1,Thing 2,&nbsp;&amp; Thing 3</em></p>
<p><a href="../../../wp-content/uploads/2012/03/Oddkin-Weirdie-Peculiar-Headshots.jpg"><img decoding="async" class="alignnone size-full wp-image-2690" title="Oddkin Weirdie Peculiar Headshots" src="../../../wp-content/uploads/2012/03/Oddkin-Weirdie-Peculiar-Headshots.jpg" alt width="281" height="142"></a></p>
<p>The post <a href="../../../2012/03/the-thing-in-the-weeds-the-hall-the-cellar-the-jar/">The Thing In: The Weeds, The Hall, The Cellar, The Jar</a> appeared first on <a href="../../../">Weird Fiction Review</a>.</p>
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		<title>The Thing in the Hall</title>
		<link>../../../2012/03/the-thing-in-the-hall-by-e-f-benson/</link>
					<comments>../../../2012/03/the-thing-in-the-hall-by-e-f-benson/#comments</comments>
		
		<dc:creator><![CDATA[E.F. Benson]]></dc:creator>
		<pubDate>Mon, 26 Mar 2012 06:10:31 +0000</pubDate>
				<category><![CDATA[12 Days of Monsters]]></category>
		<guid isPermaLink="false">../../../</guid>

					<description><![CDATA[<p>Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist and short story writer, known professionally as E.F. Benson. A prolific writer, Benson created the famous Mapp and Lucia series, which satirized upper-middle class British life in the 1920s and 30s. He also developed a reputation for writing macabre [&#8230;]</p>
<p>The post <a href="../../../2012/03/the-thing-in-the-hall-by-e-f-benson/">The Thing in the Hall</a> appeared first on <a href="../../../">Weird Fiction Review</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><a href="../../../wp-content/uploads/2012/03/benson1.jpg"><img loading="lazy" decoding="async" class="alignleft size-medium wp-image-2557" title="benson1" src="../../../wp-content/uploads/2012/03/benson1-209x300.jpg" alt width="209" height="300" srcset="../../../wp-content/uploads/2012/03/benson1-209x300.jpg 209w, ../../../wp-content/uploads/2012/03/benson1.jpg 294w" sizes="auto, (max-width: 209px) 100vw, 209px"></a>Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist and short story writer, known professionally as E.F. Benson. A prolific writer, Benson created the famous Mapp and Lucia series, which satirized upper-middle class British life in the 1920s and 30s. He also developed a reputation for writing macabre ghost stories and other stories of the supernatural, which have been adapted for film and television. We’re pleased to feature one of his stories, “The Thing in the Hall,” as part of our 12 Days of Monsters. <strong>- The Editors</strong></p>
<p>&nbsp;</p>
<p>The following pages are the account given me by Dr. Assheton of the Thing in the Hall. I took notes, as copious as my quickness of hand allowed me, from his dictation, and subsequently read to him this narrative in its transcribed and connected form. This was on the day before his death, which indeed probably occurred within an hour after I had left him, and, as readers of inquests and such atrocious literature may remember, I had to give evidence before the coroner’s jury. Only a week before Dr. Assheton had to give similar evidence, but as a medical expert, with regard to the death of his friend, Louis Fielder, which occurred in a manner identical with his own. As a specialist, he said he believed that his friend had committed suicide while of unsound mind, and the verdict was brought in accordingly. But in the inquest held over Dr. Assheton’s body, though the verdict eventually returned was the same, there was more room for doubt.</p>
<p>For I was bound to state that only shortly before his death, I read what follows to him; that he corrected me with extreme precision on a few points of detail, that he seemed perfectly himself, and that at the end he used these words:</p>
<p>“I am quite certain as a brain specialist that I am completely sane, and that these things happened not merely in my imagination, but in the external world. If I had to give evidence again about poor Louis, I should be compelled to take a different line. Please put that down at the end of your account, or at the beginning, if it arranges itself better so.”</p>
<p>There will be a few words I must add at the end of this story, and a few words of explanation must precede it. Briefly, they are these.</p>
<p>Francis Assheton and Louis Fielder were up at Cambridge together, and there formed the friendship that lasted nearly till their death. In general attributes no two men could have been less alike, for while Dr. Assheton had become at the age of thirty-five the first and final authority on his subject, which was the functions and diseases of the brain, Louis Fielder at the same age was still on the threshold of achievement. Assheton, apparently without any brilliance at all, had by careful and incessant work arrived at the top of his profession, while Fielder, brilliant at school, brilliant at college and brilliant ever afterwards, had never done anything. He was too eager, so it seemed to his friends, to set about the dreary work of patient investigation and logical deductions; he was for ever guessing and prying, and striking out luminous ideas, which he left burning, so to speak, to illumine the work of others. But at bottom, the two men had this compelling interest in common, namely, an insatiable curiosity after the unknown, perhaps the most potent bond vet devised between the solitary units that make up the race of man. Both — till the end — were absolutely fearless, and Dr. Assheton would sit by the bedside of the man stricken with bubonic plague to note the gradual surge of the tide of disease to the reasoning faculty with the same absorption as Fielder would study X‑rays one week, flying machines the next, and spiritualism the third. The rest of the story, I think, explains itself — or does not quite do so. This, anyhow, is what I read to Dr. Assheton, being the connected narrative of what he had himself told me. It is he, of course, who speaks.</p>
<p>“After I returned from Paris, where I had studied under Charcot, I set up practice at home. The general doctrine of hypnotism, suggestion, and cure by such means had been accepted even in London by this time, and, owing to a few papers I had written on the subject, together with my foreign diplomas, I found that I was a busy man almost as soon as I had arrived in town. Louis Fielder had his ideas about how I should make my debut (for he had ideas on every subject, and all of them original), and entreated me to come and live, not in the stronghold of doctors, ‘Chloroform Square,’ as he called it, but down in Chelsea, where there was a house vacant next his own.</p>
<p>“Who cares where a doctor lives,” he said, “so long as he cures people? Besides you don’t believe in old methods; why believe in old localities? Oh, there is an atmosphere of painless death in Chloroform Square! Come and make people live instead! And on most evenings I shall have so much to tell you; I can’t ‘drop in’ across half London.”</p>
<p>Now if you have been abroad for five years, it is a great deal to know that you have any intimate friend at all still left in the metropolis, and, as Louis said, to have that intimate friend next door is an excellent reason for going next door. Above all, I remembered from Cambridge days, what Louis’ “dropping in” meant. Towards bed-time, when work was over, there would come a rapid step on the landing, and for an hour, or two hours, he would gush with ideas. He simply diffused life, which is ideas, wherever he went. He fed one’s brain, which is the one thing which matters. Most people who are ill, are ill because their brain is starving, and the body rebels, and gets lumbago or cancer. That is the chief doctrine of my work such as it has been. All bodily disease springs from the brain. It is merely the brain that has to be fed and rested and exercised properly to make the body absolutely healthy, and immune from all disease. But when the brain is affected, it is as useful to pour medicines down the sink, as make your patient swallow them, unless — and this is a paramount limitation — unless he believes in them.</p>
<p>I said something of the kind to Louis one night, when, at the end of a busy day, I had dined with him. We were sitting over coffee in the hall, or so it is called, where he takes his meals. Outside, his house is just like mine, and ten thousand other small houses in London, but on entering, instead of finding a narrow passage with a door on one side, leading into the dining-room, which again communicates with a small back room called “the study,” he has had the sense to eliminate all unnecessary walls, and consequently the whole ground floor of his house is one room, with stairs leading up to the first floor. Study, dining-room and passage have been knocked into one; you enter a big room from the front door. The only drawback is that the postman makes loud noises close to you, as you dine, and just as I made these commonplace observations to him about the effect of the brain on the body and the senses, there came a loud rap, somewhere close to me, that was startling.</p>
<p>“You ought to muffle your knocker,” I said, “anyhow during the time of meals.”</p>
<p>Louis leaned back and laughed.</p>
<p>“There isn’t a knocker,” he said. “You were startled a week ago, and said the same thing. So I took the knocker off. The letters slide in now. But you heard a knock, did you?”</p>
<p>“Didn’t you?” said I.</p>
<p>“Why, certainly. But it wasn’t the postman. It was the Thing. I don’t know what it is. That makes it so interesting.”</p>
<p>Now if there is one thing that the hypnotist, the believer in unexplained influences, detests and despises, it is the whole root-notion of spiritualism. Drugs are not more opposed to his belief than the exploded, discredited idea of the influence of spirits on our lives. And both are discredited for the same reason; it is easy to understand how brain can act on brain, just as it is easy to understand how body can act on body, so that there is no more difficulty in the reception of the idea that the strong mind can direct the weak one, than there is in the fact of a wrestler of greater strength overcoming one of less. But that spirits should rap at furniture and divert the</p>
<p>course of events is as absurd as administering phosphorus to strengthen the brain. That was what I thought then.</p>
<p>However, I felt sure it was the postman, and instantly rose and went to the door. There were no letters in the box, and I opened the door. The postman was just ascending the steps. He gave the letters into my hand.</p>
<p>Louis was sipping his coffee when I came back to the table.</p>
<p>“Have you ever tried table-turning?” he asked. “It’s rather odd.”</p>
<p>“No, and I have not tried violet-leaves as a cure for cancer,” I said.</p>
<p>“Oh, try everything,” he said. “I know that that is your plan, just as it is mine. All these years that you have been away, you have tried all sorts of things, first with no faith, then with just a little faith, and finally with mountain-moving faith. Why, you didn’t believe in hypnotism at all when you went to Paris.”</p>
<p>He rang the bell as he spoke, and his servant came up and cleared the table. While this was being done we strolled about the room, looking at prints, with applause for a Bartolozzi that Louis had bought in the New Cut, and dead silence over a “Perdita” which he had acquired at considerable cost. Then he sat down again at the table on which we had dined. It was round, and mahogany-heavy, with a central foot divided into claws.</p>
<p>“Try its weight,” he said; “see if you can push it about.”</p>
<p>So I held the edge of it in my hands, and found that I could just move it. But that was all; it required the exercise of a good deal of strength to stir it.</p>
<p>“Now put your hands on the top of it,” he said, “and see what you can do.”</p>
<p>I could not do anything, my fingers merely slipped about on it. But I protested at the idea of spending the evening thus.</p>
<p>“I would much sooner play chess or noughts and crosses with you,” I said, “or even talk about politics, than turn tables. You won’t mean to push, nor shall I, but we shall push without meaning to.”</p>
<p>Louis nodded.</p>
<p>“Just a minute,” he said, “let us both put our fingers only on the top of the table and push for all we are worth, from right to left.”</p>
<p>We pushed. At least I pushed, and I observed his finger-nails. From pink they grew to white, because of the pressure he exercised. So I must assume that he pushed too. Once, as we tried this, the table creaked. But it did not move.</p>
<p>Then there came a quick peremptory rap, not I thought on the front door, but somewhere in the room.</p>
<p>“It’s the Thing,” said he.</p>
<p>To-day, as I speak to you, I suppose it was. But on that evening it seemed only like a challenge. I wanted to demonstrate its absurdity.</p>
<p>“For five years, on and off, I’ve been studying rank spiritualism,” he said. “I haven’t told you before, because I wanted to lay before you certain phenomena, which I can’t explain, but which now seem to me to be at my command. You shall see and hear, and then decide if you will help me.”</p>
<p>“And in order to let me see better, you are proposing to put out the lights,” I said.</p>
<p>“Yes; you will see why.”</p>
<p>“I am here as a sceptic,” said I.</p>
<p>“Scep away,” said he.</p>
<p>Next moment the room was in darkness, except for a very faint glow of firelight. The</p>
<p>window-curtains were thick, and no street-illumination penetrated them, and the familiar, cheerful sounds of pedestrians and wheeled traffic came in muffled. I was at the side of the table towards the door; Louis was opposite me, for I could see his figure dimly silhouetted against the glow from the smouldering fire.</p>
<p>“Put your hands on the table,” he said, “quite lightly, and — how shall I say it — expect.”</p>
<p>Still protesting in spirit, I expected. I could hear his breathing rather quickened, and it seemed to me odd that anybody could find excitement in standing in the dark over a large mahogany table, expecting. Then — through my finger-tips, laid lightly on the table, there began to come a faint vibration, like nothing so much as the vibration through the handle of a kettle when water is beginning to boil inside it. This got gradually more pronounced and violent till it was like the throbbing of a motor-car. It seemed to give off a low humming note. Then quite suddenly the table seemed to slip from under my fingers and began very slowly to revolve.</p>
<p>“Keep your hands on it and move with it,” said Louis, and as he spoke I saw his silhouette pass away from in front of the fire, moving as the table moved.</p>
<p>For some moments there was silence, and we continued, rather absurdly, to circle round, keeping step, so to speak, with the table. Then Louis spoke again, and his voice was trembling with excitement.</p>
<p>“Are you there?” he said.</p>
<p>There was no reply, of course, and he asked it again. This time there came a rap like that which I had thought during dinner to be the postman. But whether it was that the room was dark, or that despite myself I felt rather excited too, it seemed to me now to be far louder than before. Also it appeared to come neither from here nor there, but to be diffused through the room.</p>
<p>Then the curious revolving of the table ceased, but the intense, violent throbbing continued. My eyes were fixed on it, though owing to the darkness I could see nothing, when quite suddenly a little speck of light moved across it, so that for an instant I saw my own hands. Then came another and another, like the spark of matches struck in the dark, or like fire-flies crossing the dusk in southern gardens. Then came another knock of shattering loudness, and the throbbing of the table ceased, and the lights vanished.</p>
<p>Such were the phenomena at the first séance at which I was present, but Fielder, it must be remembered, had been studying, “expecting,” he called it, for some years. To adopt spiritualistic language (which at that time I was very far from doing), he was the medium, I merely the observer, and all the phenomena I had seen that night were habitually produced or witnessed by him. I make this limitation since he told me that certain of them now appeared to be outside his own control altogether. The knockings would come when his mind, as far as he knew, was entirely occupied in other matters, and sometimes he had even been awakened out of sleep by them. The lights were also independent of his volition.</p>
<p>Now my theory at the time was that all these things were purely subjective in him, and that what he expressed by saying that they were out of his control, meant that they had become fixed and rooted in the unconscious self, of which we know so little, but which, more and more, we see to play so enormous a part in the life of man. In fact, it is not too much to say that the vast majority of our deeds spring, apparently without volition, from this unconscious self. All hearing is the unconscious exercise of the aural nerve, all seeing of the optic, all walking, all ordinary movement seem to be done without the exercise of will on our part. Nay more, should we take to some new form of progression, skating, for instance, the beginner will learn with falls and difficulty the outside edge, but within a few hours of his having learned his balance on it, he will give no more thought to what he learned so short a time ago as an acrobatic feat, than he gives to the placing of one foot before the other.</p>
<p>But to the brain specialist all this was intensely interesting, and to the student of hypnotism, as I was, even more so, for (such was the conclusion I came to after this first séance), the fact that I saw and heard just what Louis saw and heard was an exhibition of thought-transference which in all my experience in the Charcot-schools I had never seen surpassed, if indeed rivalled. I knew that I was myself extremely sensitive to suggestion, and my part in it this evening I believed to be purely that of the receiver of suggestions so vivid that I visualised and heard these phenomena which existed only in the brain of my friend.</p>
<p>We talked over what had occurred upstairs. His view was that the Thing was trying to communicate with us. According to him it was the Thing that moved the table and tapped, and made us see streaks of light.</p>
<p>“Yes, but the Thing,” I interrupted, “what do you mean? Is it a great-uncle — oh, I have seen so many relatives appear at seances, and heard so many of their dreadful platitudes — or what is it? A spirit? Whose spirit?”</p>
<p>Louis was sitting opposite to me, and on the little table before us there was an electric light. Looking at him I saw the pupil of his eye suddenly dilate. To the medical man — provided that some violent change in the light is not the cause of the dilation — that meant only one thing, terror. But it quickly resumed its normal proportion again.</p>
<p>Then he got up, and stood in front of the fire.</p>
<p>“No. I don’t think it is great-uncle anybody,” he said. “I don’t know, as I told you, what the Thing is. But if you ask me what my conjecture is, it is that the Thing is an Elemental.”</p>
<p>“And pray explain further. What is an Elemental?”</p>
<p>Once again his eye dilated.</p>
<p>“It will take two minutes,” he said. “But, listen. There are good things in this world, are there not, and bad things? Cancer, I take it is bad, and — and fresh air is good; honesty is good, lying is bad. Impulses of some sort direct both sides, and some power suggests the impulses. Well, I went into this spiritualistic business impartially. I learned to ‘expect,’ to throw open the door into the soul, and I said, ‘Anyone may come in.’ And I think Something has applied for admission, the Thing that tapped and turned the table and struck matches, as you saw, across it. Now the control of the evil principle in the world is in the hands of a power which entrusts its errands to the things which I call Elementals. Oh, they have been seen; I doubt not that they will be seen again. I did not, and do not ask good spirits to come in. I don’t want ‘The Church’s one foundation’ played on a musical box. Nor do I <em>want </em>an Elemental. I only threw open the door. I believe the Thing has come into my house and is establishing communication with me. Oh, I want to go the whole hog. What is it? In the name of Satan, if necessary, what is it? I just want to know.”</p>
<p>What followed I thought then might easily be an invention of the imagination, but what I believed to have happened was this. A piano with music on it was standing at the far end of the room by the door, and a sudden draught entered the room, so strong that the leaves turned. Next the draught troubled a vase of daffodils, and the yellow heads nodded. Then it reached the candles that stood close to us, and they fluttered burning blue and low. Then it reached me, and the draught was cold, and stirred my hair. Then it eddied, so to speak, and went across to Louis, and his hair also moved, as I could see. Then it went downwards towards the fire, and flames suddenly started up in its path, blown upwards. The rug by the fireplace flapped also.</p>
<p>“Funny, wasn’t it?” he asked.</p>
<p>“And has the Elemental gone up the chimney?” said I.</p>
<p>“Oh, no,” said he, “the Thing only passed us.”</p>
<p>Then suddenly he pointed at the wall just behind my chair, and his voice cracked as he spoke.</p>
<p>“Look, what’s that?” he said. “There on the wall.”</p>
<p>Considerably startled I turned in the direction of his shaking finger. The wall was pale grey in tone, and sharp-cut against it was a shadow that, as I looked, moved. It was like the shadow of some enormous slug, legless and fat, some two feet high by about four feet long. Only at one end of it was a head shaped like the head of a seal, with open mouth and panting tongue.</p>
<p>Then even as I looked it faded, and from somewhere close at hand there sounded another of those shattering knocks.</p>
<p>For a moment after there was silence between us, and horror was thick as snow in the air. But, somehow, neither Louis nor I was frightened for more than one moment. The whole thing was so absorbingly interesting.</p>
<p>“That’s what I mean by its being outside my control,” he said. “I said I was ready for any — any visitor to come in, and by God, we’ve got a beauty.”</p>
<p>Now I was still, even in spite of the appearance of this shadow, quite convinced that I was only taking observations of a most curious case of disordered brain accompanied by the most vivid and remarkable thought-transference. I believed that I had not seen a slug-like shadow at all, but that Louis had visualised this dreadful creature so intensely that I saw what he saw. I found also that his spiritualistic trash-books, which I thought a truer nomenclature than text­books, mentioned this as a common form for Elementals to take. He on the other hand was more firmly convinced than ever that we were dealing not with a subjective but an objective phenomenon.</p>
<p>For the next six months or so we sat constantly, but made no further progress, nor did the Thing or its shadow appear again, and I began to feel that we were really wasting time. Then it occurred to me, to get in a so-called medium, induce hypnotic sleep, and see if we could learn anything further. This we did, sitting as before round the dining-room table. The room was not quite dark, and I could see sufficiently clearly what happened.</p>
<p>The medium, a young man, sat between Louis and myself, and without the slightest difficulty I put him into a light hypnotic sleep. Instantly there came a series of the most terrific raps, and across the table there slid something more palpable than a shadow, with a faint luminance about it, as if the surface of it was smouldering. At the moment the medium’s face became contorted to a mask of hellish terror; mouth and eyes were both open, and the eyes were focussed on something close to him. The Thing, waving its head, came closer and closer to him, and reached out towards his throat. Then with a yell of panic, and warding off this horror with his hands, the medium sprang up, but It had already caught hold, and for the moment he could not get free. Then simultaneously Louis and I went to his aid, and my hands touched something cold and slimy. But pull as we could we could not get it away. There was no firm hand-hold to be taken; it was as if one tried to grasp slimy fur, and the touch of it was horrible, unclean, like a leper. Then, in a sort of despair, though I still could not believe that the horror was real, for it must be a vision of diseased imagination, I remembered that the switch of the four electric lights was close to my hand. I turned them all on. There on the floor lay the medium, Louis was kneeling by him with a face of wet paper, but there was nothing else there. Only the collar of the medium was crumpled and torn, and on his throat were two scratches that bled.</p>
<p>The medium was still in hypnotic sleep, and I woke him. He felt at his collar, put his hand to his throat and found it bleeding, but, as I expected, knew nothing whatever of what had passed. We told him that there had been an unusual manifestation, and he had, while in sleep, wrestled with something. We had got the result we wished for, and were much obliged to him.</p>
<p>I never saw him again. A week after that he died of blood-poisoning.</p>
<p>From that evening dates the second stage of this adventure. The Thing had materialised (I use again spiritualistic language which I still did not use at the time). The huge slug, the Elemental, manifested itself no longer by knocks and waltzing tables, nor yet by shadows. It was there in a form that could be seen and felt. But it still — this was my strong point — was only a thing of twilight; the sudden kindling of the electric light had shown us that there was nothing there. In this struggle perhaps the medium had clutched his own throat, perhaps I had grasped Louis’ sleeve, he mine. But though I said these things to myself, I am not sure that I believed them in the same way that I believe the sun will rise to-morrow.</p>
<p>Now, as a student of brain-functions and a student in hypnotic affairs, I ought perhaps to have steadily and unremittingly pursued this extraordinary series of phenomena, but I had my practice to attend to, and I found that with the best will in the world, I could think of nothing else except the occurrence in the hall next door. So I refused to take part in any further séance with Louis. I had another reason also. For the last four or five months he was becoming depraved. I have been no prude or Puritan in my own life, and I hope I have not turned a Pharisaical shoulder on sinners. But in all branches of life and morals, Louis had become infamous. He was turned out of a club for cheating at cards, and narrated the event to me with gusto. He had become cruel; he tortured his cat to death; he had become bestial. I used to shudder as I passed his house, expecting I knew not what fiendish thing to be looking at me from the window.</p>
<p>Then came a night only a week ago, when I was awakened by an awful cry, swelling and falling and rising again. It came from next door. I ran downstairs in my pyjamas, and out into the street. The policeman on the beat had heard it too, and it came from the hall of Louis’ house, the window of which was open. Together we burst the door in. You know what we found. The screaming had ceased but a moment before, but he was dead already. Both jugulars were severed, torn open.</p>
<p>It was dawn, early and dusky when I got back to my house next door. Even as I went in something seemed to push by me, something soft and slimy. It could not be Louis’ imagination this time. Since then I have seen glimpses of it every evening. I am awakened at night by tappings, and in the shadows in the corner of my room there sits something more substantial than a shadow.”</p>
<p>Within an hour of my leaving Dr. Assheton, the quiet street was once more aroused by cries of terror and agony. He was already dead, and in no other manner than his friend, when they got into the house.</p>
<p>The post <a href="../../../2012/03/the-thing-in-the-hall-by-e-f-benson/">The Thing in the Hall</a> appeared first on <a href="../../../">Weird Fiction Review</a>.</p>
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